optical
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Post by optical on Apr 19, 2023 7:39:35 GMT
As many will know I was lucky enough to get a demo of these speakers a few months ago (January) brought along by Jason (Arke). Yesterday something similar occurred, except this time Jason would not be leaving with the speakers he brought . . . well actually he would, just this time he would be leaving with the Arke "Duo's" he kindly lent me in the interim. Anyway, his first visit confirmed that I was correct to get my name on the list and send a deposit as quickly as possible to secure a pair for myself, that was a couple of months ago, this is now . . . . . Setup: We hauled them upstairs, no mean feat but also not particularly awkward with the dual cabinet design. Set them up and resisted the urge to listen . . . why? Because one of the speakers main attributes is their flexibility and ability to combat room issues in the lower frequencies. My room does have some quite severe issues, but even if you are lucky and your room doesn't, fine tuning them can reap huge benefits. We spent the next 3+ hours tuning and measuring them. Some may look upon it as an arduous task, and in some ways, it is. Measure, tweak, adjust, re-measure, reposition . . . . measure . . repeat. Thankfully both of us realise that the merits of getting the right settings, far outweigh the monotony of the above process. Plus I think we're both a bit geeky at heart and enjoy the challenge of getting a response curve to fit a target curve as accurately and neutrally as possible, to flat. Interestingly (or not ) we decided to try adjusting the speakers independently left and right, due to the fact my room is asymmetrical, this made sense. We happened across an extremely accurate looking plot for both left and right speakers, we were very happy with our (Jason's ) work. We re-measured left and right simultaneously . . . . well, now it was all over the place. A lesson in isolating channels and how they work together (and indeed against each other) to occasionally completely throw you off course. Certainly a learning "curve" . . . . Eventually we had some settings we were very happy with for both speakers and indeed measuring both together resulting in a good response well down into the low Hz and a fairly linear plot all the way through the frequency range. The room had a couple of issues around 200Hz but this was also lifted (there was a slight suck-out of a a few db) with some slight repositioning. We got any "major" issues to within, I would say, 3-4db, so no audible nasties at all and keep in mind this is a mic at the listening spot so a host of 'anomalies' could be occurring to throw the plot off slightly . . . comb filtering, slight reflections from an asymmetrical adjacent side wall etc, so overall I think Jason did an amazing job of getting the response to where we did. Listening: I'm wrestling with myself a bit here. My honest impression is something I always want and aim, to give. I believe it to be an important part of a write-up and indeed the forum ethos. However, I'm a little hesitant to do so. It's not because I don't have a lot to say regarding the speakers, it's not because I don't feel I can do them justice or would be worried people wouldn't believe/care/want to read any kind of review. It's because this is a different realm of musical appreciation I've strayed into with these. I truly believe it will take me a little while to adjust to them, in all ways, so with that in mind I'll just say this. Anyone is absolutely more than welcome to come and hear them for themselves, this may be the only (and easiest) way to convey what they bring. Give me a few weeks or so for things to settle down as the drivers etc still have a bit more to loosen up I believe, as well as getting a few other elements of the system sorted and up to scratch. I need to sort out some cabling and a uniform rack to finish things off. The design: One thing I cannot state more emphatically is how they look in my room. I am absolutely and completely blown away by their finish. The colour, the design elements and their overall 'presence' in my listening room just brings me the most amount of joy. Jason is solely responsible for bringing an excellent design and selection of components (For which Troels deserves the praise for), together in an absolutely beautifully crafted and finished enclosure. I was a little apprehensive in my own colour choice of 'natural' over 'caramel' bamboo, but the natural tones of the carpet and walls in my listening room blend amazingly well with the natural yet silky finish of these beauties. The contrasting lines of the shadow gap, bass enclosure vents and the horizontal grain of tweeter bevel are just pure class. To me it doesn't look like a regular commercial speaker or indeed any sort of "DIY" effort. It looks purposeful, yet elegant, well-proportioned yet imposing where it matters. I am truly ecstatic just looking at them, let alone listening to them. I shall update with my proper listening impressions at some point, bearing in mind I've only had a few hours actual listening on them . . . . like I say, things have changed. Huge thanks to Jason for all his efforts and indeed tireless measuring/tweaking, the effort is more than worth it.
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Post by firebottle on Apr 19, 2023 7:56:53 GMT
Simple statement for now Chris, Arke Audio is class.
Would love to come down in the near future and have a listen.
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Post by pete on Apr 19, 2023 8:36:50 GMT
Wonderful Chris. They look magnificent and I know they will sound even better. Beautiful finishing to them.
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Post by lurch on Apr 19, 2023 8:50:04 GMT
Yep certainly great looking beasties. I will look to book my audition late May to give them a chance to bed in, can also bring the maxed out Black Ice, and/or the Lector CDP7TL if you want Chris.
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optical
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Post by optical on Apr 19, 2023 8:52:33 GMT
Yep certainly great looking beasties. I will look to book my audition late May to give them a chance to bed in, can also bring the maxed out Black Ice, and/or the Lector CDP7TL if you want Chris. Sure thing, sounds good. Feel free to PM me a few dates as we have kids birthdays and upcoming holidays in May etc but I'm sure we can work something out no problem.
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Post by brucew268 on Apr 19, 2023 9:13:36 GMT
I'm really happy for you Chris, it's wonderful when visual and aural aesthetics well exceed your expectations and is a lasting gift. Enjoy! By all accounts Jason is a class act with top level results as well.
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Post by stevew on Apr 19, 2023 10:00:42 GMT
Just fantastic… well done. And of course to Jason. They look sublime. Note to self. .get a bigger room.
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Post by bencat on Apr 19, 2023 10:17:19 GMT
Small comment have you tried the UMIK with 90 deg loading then use it but the same position but pointing at the ceiling ? I have used this and fin it gives smoother in room results . Worth a little experimenting in a difficult room .
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optical
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Post by optical on Apr 19, 2023 10:25:27 GMT
Small comment have you tried the UMIK with 90 deg loading then use it but the same position but pointing at the ceiling ? I have used this and fin it gives smoother in room results . Worth a little experimenting in a difficult room . Surely you want you mic to give you the most accurate/truthful in room results (warts & all)?? If you just adjust the mic to give a smoother response when measuring you're just overlooking potential issues? Or do you mean you can then adjust using that position as a more accurate reference and then get a smoother response? Either way it's not my mic so not here any more, although will be getting on at some stage.
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Post by bencat on Apr 19, 2023 11:45:22 GMT
Sorry I am often not as clear as I would like to be . Using the 90 Deg you get mainly direct sound as you do when pointed directly at the speakers as you have done but you also get a proportion of the reflected sound as well and so you are able to control the full sound that will enter at your listening position including some of the room additions and reverberation . Correcting all of this in your adjustments give a better and flatter curve directly at your listening seat . It can be a little harder and need more tweaking but it can also give a more listenable sound to your ears .
I do this with DIRAC Live which compensates for room echoes and time alignment and to my ears it is has always been a better and more natural sound using 90 deg rather than direct . Others have had different results but if as you say you have a difficult room at some stage it might be worth a try .
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Arke
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Post by Arke on Apr 19, 2023 11:49:15 GMT
Sorry I am often not as clear as I would like to be . Using the 90 Deg you get mainly direct sound as you do when pointed directly at the speakers as you have done but you also get a proportion of the reflected sound as well and so you are able to control the full sound that will enter at you listening position including some of the room additions and reverberation . Correcting all of this in your adjustments give a better and flatter curve directly at your listening seat . It can be a little harder and need more tweaking but it can also give a more listenable sound to your ears . I do this with DIRAC Live which compensates for room echoes and time alignment and to my ears it is has always been a better and more natural sound using 90 deg rather than direct . Others have had different results but if as you say you have a difficult room at some stage it might be worth a try . I have tried both ways and both REW and the Mic manufacturer advise straight forward for 2 channel measurements.
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optical
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Post by optical on Apr 19, 2023 11:50:08 GMT
Sorry I am often not as clear as I would like to be . Using the 90 Deg you get mainly direct sound as you do when pointed directly at the speakers as you have done but you also get a proportion of the reflected sound as well and so you are able to control the full sound that will enter at you listening position including some of the room additions and reverberation . Correcting all of this in your adjustments give a better and flatter curve directly at your listening seat . It can be a little harder and need more tweaking but it can also give a more listenable sound to your ears . I do this with DIRAC Live which compensates for room echoes and time alignment and to my ears it is has always been a better and more natural sound using 90 deg rather than direct . Others have had different results but if as you say you have a difficult room at some stage it might be worth a try . Okay thanks, so it might be sensible to try one set of tweaks from a reference made using the mic in a 90 deg upwards position. Interesting, I can see how that would affect things. As you say might get different results and might be worth a try. I don't think my room is awful BUT if you remove the tuning and default to standard configuration there is almost no bass (comparatively to when they are optimised anyway), at the listening position. This was demonstrated yesterday and explains why so many speakers have not been able to deliver bass properly within my room. Thanks for the tip.
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Post by gninnam on Apr 19, 2023 18:56:35 GMT
Look good in your room and enjoy listening to them (I love getting new equipment and spending weeks listening to it, be that speakers, amp, player etc) Very jealous!!
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Post by zleepy on Apr 20, 2023 4:49:15 GMT
They look absolutely stunning Dream/End game speakers for sure! You are one lucky guy to own speakers like that!
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optical
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Post by optical on Apr 20, 2023 5:10:15 GMT
They look absolutely stunning Dream/End game speakers for sure! You are one lucky guy to own speakers like that! Thanks, and that's very true I do consider myself very lucky. Although it has been an absolute firesale for the last 4 months or so to get them over the line. They are an absolutely key component in what I'm trying to accomplish with my system. So the rest of the cast need to be at a level that allows them to show off at their best and not be a bottleneck to their performance, because I doubt they would be a bottleneck to almost any component up stream..... I also think the BT2 is one such component in the system too, can't imagine that being improved upon.
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Post by lurch on Apr 20, 2023 8:24:07 GMT
Im sure a BT2 mk2 will be along shortly 😂😂😂
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Bigman80
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Post by Bigman80 on Apr 20, 2023 8:34:47 GMT
Im sure a BT2 mk2 will be along shortly 😂😂😂 Well, now you mention it.......
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Post by jandl100 on Apr 20, 2023 9:34:22 GMT
Well done, Chris (& Jason).
I'm of the view that there are lots of great speakers out there, new or used, for that sort of money. But the ability to tune the Vaders in to a particularly difficult room really makes the difference in this case.
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Post by hifinutt on Apr 20, 2023 9:53:17 GMT
They look amazing .thanks for pics and write up
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edward
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Post by edward on Apr 20, 2023 19:39:48 GMT
Awesome Chris. Well done on engaging with Jason's vision and having the kō-hō′nĕs to do it. Now when can I come over and have a listen? E
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optical
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Post by optical on Apr 20, 2023 19:46:29 GMT
Awesome Chris. Well done on engaging with Jason's vision and having the kō-hō′nĕs to do it. Now when can I come over and have a listen? E Thanks Edward, much appreciated. You are most welcome anytime sir but there are a few components to get into place before they will be heard at their absolute best, not to mention their continued break in period! A few weeks to settle down and get all the supporting cast up to scratch (power supplies, clocks etc) and then they'll be ready to unleash!
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Arke
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Post by Arke on Apr 20, 2023 20:14:48 GMT
Awesome Chris. Well done on engaging with Jason's vision and having the kō-hō′nĕs to do it. Now when can I come over and have a listen? E Thanks Edward, much appreciated. You are most welcome anytime sir but there are a few components to get into place before they will be heard at their absolute best, not to mention their continued break in period! A few weeks to settle down and get all the supporting cast up to scratch (power supplies, clocks etc) and then they'll be ready to unleash! Chris, with your current vinyl setup everything was sounding pretty fantastic, looking fwd to hearing the next level!
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optical
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Post by optical on May 4, 2023 9:20:58 GMT
Update - a few weeks with the Vader's.
Well, as promised, it's time for a few thoughts as to how these towers of power are impacting this hobby for me.
There won't be too much waxing lyrical (you'll all be relieved to hear) but they have given me a few things to think about regarding how I ultimately go about my listening . . .
Let's start with the digital, as that is how I usually start most of my listening 'sessions' . . . . there's not much point in really trying to have a casual listening session with them. Try as you might they just pull you in so that you end up stopping what you're doing, replying to emails, browsing the internet etc. They make you take notice of what's playing, not in a forceful way but in a way that makes you feel as if you're missing out if you're not fully engaging with the music. They basically offer you something more interesting and enjoyable than whatever you might be doing at the time, hence, you might as well drop everything, get in that listening spot and just let them do their thing.
Yeah the digital, it's good, really good. Thanks to a few tweaks (of which I'm not done yet) things have been elevated significantly from where they were when the Vader's first landed. PSU upgrades to both the Mutec, the clock that re-clocks it, as well as the DAC have given the system a real jump in performance. The low end 'weight' and 'heft' have been increased dramatically which puts meat on the bones of pretty much any recording where it's present.
As many are finding with these Troels speaker designs (expertly executed by Jason of course) they can appear ruthless with some recordings. I would hesitate to appropriate that description to the Vader's actually, they are just truthful and faithful, from the recordings perspective that could be perceived as a fault. However really, the fault most likely falls with the recording/mastering should anything be sounding a little over-egged/shrill etc. It really is surprising how the little nuances of recordings are now more obvious, some good some bad, but the Vader's certainly appear to favour highlighting the excellence of many recordings rather than exposing the majority of poor ones, although both instances do occur.
Now as I've been listening to digital for a good half hour or so, the real motive for this 'orderve' makes itself apparent . . . . the BB3 has been warming up along with the power supply for the SP10 . . . . it's time to engage with the main course, the vinyl.
I was ready for the lines and indeed the gap between digital and vinyl on my system to be blurred or at least lessened . . . . the Vader's have done the complete opposite. If ever I think the digital sounds good, 5 seconds of switching between a record and a digital file only serves to reiterate how much must be missing from the digital, or indeed how spectacular the Vader's can sound with a purely analogue source . . . .
A short description would be to say it just sounds ridiculously fun. It has fluidity, dynamics, air and all that good stuff but the bass, well it's absolutely something else. When Jason was here we were getting solid in room response down to low 20's (only a few db down) from vinyl. Thats is something I've never heard before or since. I didn't quite realise that as full a range of frequency was quite possible with vinyl and indeed what is actually quite a modest vinyl rig (certainly in mid-hi end terms) barring the BB3 (which punches so much harder than it's weight it's actually a bit of a joke btw).
The scary (and also really encouraging) thing is that my SP10 is really rather basic, cheap ply plinth, RB300 arm and AT OC9 XEN cartridge with Litz cabling. Everything in that setup apart from the actual bare bones of SP10 and the phono stage are really only just a bit beyond entry level. When funds allow these parts will be elevated to a level more in sync spec-wise with the rest of the system. I can only imagine what that might sound like . . . .
These findings with the vinyl are actually quite surprising because in other systems with the addition of the Mutec, clocks, better cables etc the gap from digital to vinyl has been very much narrowed and, in some instances, the digital sounds better overall than a high-end vinyl setup. Better carts, arms, phono stages, plinths etc . . . but in my setup a very modest vinyl rig is still running circles around the digital . . . I'm still not 100% sure exactly what I can attribute this to, it may be something to do with my room however I think the Vader's just absolutely come alive with the analogue format . . .
It's not that they sound anything other than great with the digital, but with vinyl they just take on a completely different character, it's absolutely spell-binding.
As a caveat to that though there are instances where the resolution and precision of the digital is difficult to match or replicate with the vinyl, there are of course pro's and cons to both formats but for the sake of music sounding natural and as realistic as possible, coupled with the texture and nuance of real instruments, the vinyl wins out.
I'd love to try and elevate the digital to that same echelon of realism (I'm talking texture, ambiance, nuance, musical flow) but after effectively maxing out on my current gear I'm struggling to think how this could be done. It's not that I'm disappointed with it at all, just that in a comparison with the vinyl . . . well, there is no comparison to be honest, not for me, not for my ears at the moment.
Won't stop me trying though . . . so thank you Vader's . . . my most expensive hifi purchase looks like it could kick start a long line of expensive hifi purchases . . .
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Post by zleepy on May 4, 2023 9:42:56 GMT
I really enjoyed reading that. Fantastic write up!
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Post by stevew on May 4, 2023 10:42:31 GMT
Well written and thought through Chris. Agree with you on the vinyl/digital result as well… and that’s with my system pulled apart for the time being. Have a feeling the contrast will be even greater when it all comes together properly. Brilliant problem to have
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Arke
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Post by Arke on May 4, 2023 11:13:25 GMT
Fantastic write up Chris! Ah, the age old digital vs Vinyl debate. For me I strongly preferred the Vinyl on your rig, although that was before your power supply upgrades.
Most digital is too 'hifi' for me. I did like the sound of digital on Mark's setup, but that is a world of digital far beyond my means! That did the best of vinyl and digital - a magic that is rarely achieved. Oli's digital was sounding very good last week - it did nothing wrong, but still missed that little extra 'Je ne sais quoi'! I think Oli will be there soon though!
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Arke
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Post by Arke on May 4, 2023 11:25:41 GMT
These findings with the vinyl are actually quite surprising because in other systems with the addition of the Mutec, clocks, better cables etc the gap from digital to vinyl has been very much narrowed and, in some instances, the digital sounds better overall than a high-end vinyl setup. Better carts, arms, phono stages, plinths etc . . . but in my setup a very modest vinyl rig is still running circles around the digital . . . I'm still not 100% sure exactly what I can attribute this to, it may be something to do with my room however I think the Vader's just absolutely come alive with the analogue format . . . It is certainly surprising, I'm sure in time we'll hear the speakers in various setups and can do more vinyl/digital comparisons.
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Post by brucew268 on May 4, 2023 12:00:45 GMT
As many are finding with these Troels speaker designs (expertly executed by Jason of course) they can appear ruthless with some recordings. I would hesitate to appropriate that description to the Vader's actually, they are just truthful and faithful, from the recordings perspective that could be perceived as a fault. However really, the fault most likely falls with the recording/mastering should anything be sounding a little over-egged/shrill etc. It really is surprising how the little nuances of recordings are now more obvious, some good some bad, but the Vader's certainly appear to favour highlighting the excellence of many recordings rather than exposing the majority of poor ones, although both instances do occur. Is this experience for you and others mostly with the Alumen Z-caps on the tweeters or also with the Superior Z-caps in that duty?
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Arke
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Post by Arke on May 4, 2023 12:12:44 GMT
As many are finding with these Troels speaker designs (expertly executed by Jason of course) they can appear ruthless with some recordings. I would hesitate to appropriate that description to the Vader's actually, they are just truthful and faithful, from the recordings perspective that could be perceived as a fault. However really, the fault most likely falls with the recording/mastering should anything be sounding a little over-egged/shrill etc. It really is surprising how the little nuances of recordings are now more obvious, some good some bad, but the Vader's certainly appear to favour highlighting the excellence of many recordings rather than exposing the majority of poor ones, although both instances do occur. Is this experience for you and others mostly with the Alumen Z-caps on the tweeters or also with the Superior Z-caps in that duty?
I can probably help with this one... The Ektas, 851s and the Vaders all have Alumen Z cap on the tweeter cap. There is one exception - one pair of Ektas has Audyn MKP plus on the tweeter. EDIT: This is referring to my builds
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Post by brucew268 on May 4, 2023 12:18:09 GMT
Is this experience for you and others mostly with the Alumen Z-caps on the tweeters or also with the Superior Z-caps in that duty?
I can probably help with this one... The Ektas, 851s and the Vaders all have Alumen Z cap on the tweeter cap. There is one exception - one pair of Ektas has Audyn MKP plus on the tweeter. I just noticed on the Ekta Mkii level 2 package they use the cheaper Superior Z there rather than the Alumen Z in the Level 1 package. My interpretation of reviews on these caps is that the Alumen Z is cleaner but also with more contrast than the Superior Z, both outstanding but the Alumen clearly a step up (ahem!). So that 'contrast' might be part of what shows poorer recordings for what they are, just a guess.
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